Marquis de Sade
Personal
Other names:
Job / Known for: Libertine novelist and political activist
Left traces: His erotic
Born
Date: 1740-06-02
Location: FR Paris, Kingdom of France
Died
Date: 1814-12-02 (aged 74)
Resting place: FR
Death Cause: Pneumonia
Family
Spouse: Renée-Pélagie Cordier de Launay (1763-1790)
Children: Louis Marie de Sade, Donatien Claude Armand de Sade, Madeleine Laure de Sade
Parent(s): Jean Baptiste François Joseph, Comte de Sade and Marie Eléonore de Maillé de Carman
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Slogan
The only way to a woman's heart is along the path of torment
About me / Bio:
Marquis de Sade was a French writer, libertine, political activist and nobleman best known for his libertine novels and imprisonment for sex crimes, blasphemy and pornography. His works include novels, short stories, plays, dialogues, and political tracts. Some of these were published under his own name during his lifetime, but most appeared anonymously or posthumously. Born into a noble family dating from the 13th-century, Sade served as an officer in the Seven Years War before a series of sex scandals led to his detention in various prisons and insane asylums for most of his adult life. During his first extended imprisonment from 1777 to 1790, he wrote a series of novels and other works, some of which his wife smuggled out of prison. On his release during the French Revolution, he pursued a literary career and became politically active, first as a constitutional monarchist then as a radical republican. During the Reign of Terror he was imprisoned for moderatism and narrowly escaped the guillotine. He was re-arrested in 1801 for his pornographic novels and was eventually incarcerated in the Charenton insane asylum where he died in 1814. His major works include The 120 Days of Sodom, Justine, Juliette and Philosophy in the Bedroom which combine graphic descriptions of sex acts, rape, torture, murder and child abuse with discourses on religion, politics, sexuality and philosophy. The word sadism derives from his fictional characters who take pleasure in inflicting pain on others. Interest in his work increased in the 20th-century, various authors considering him a precursor to Nietzsche, Freud, surrealism, totalitarianism and anarchism. Many prominent Intellectuals including Angela Carter, Simone de Beauvoir and Roland Barthes published studies of his work and numerous biographies have appeared. Cultural depictions of his life and work include the play Marat by Peter Weiss and the film Salò by Pier Paolo Passolini.
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