Emily Elizabeth Dickinson

Emily Elizabeth Dickinson was an American poet who lived in seclusion and commanded a singular brilliance of style and integrity of vision. With Walt Whitman, Dickinson is widely considered to be one of the two leading 19th-century American poets. Only 10 of her nearly 1,800 poems are known to have been published in her lifetime. Devoted to private pursuits, she sent hundreds of poems to friends and correspondents while apparently keeping the greater number to herself. She habitually worked in verse forms suggestive of hymns and ballads, with lines of three or four stresses. Her unusual off-rhymes have been seen as both experimental and influenced by the 18th-century hymnist Isaac Watts. She freely ignored the usual rules of versification and even of grammar, and in the intellectual content of her work she likewise proved exceptionally bold and original. Her verse is distinguished by its epigrammatic compression, haunting personal voice, enigmatic brilliance, and lack of high polish. She was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence. While Dickinson was a prolific writer, her only publications during her lifetime were 10 of her poems and one letter. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends, and also explore aesthetics, society, nature, and spirituality. Although Dickinson's acquaintances were most likely aware of her writing, it was not until after she died in 1886—when Lavinia, Dickinson's younger sister, discovered her cache of poems—that her work became public. The first published collection of her poetry was made in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, though they heavily edited the content. A complete collection of her poetry first became available in 1955 when scholar Thomas H. Johnson published The Poems of Emily Dickinson.